Kirananta Sylfayangsari, Aldalia (2022) Mayang Urai. Skripsi thesis, ISI Yogyakarta.
Text
ALDALIA KIRANANTA SYLFAYANGSARI_2022_FULL TEKS.pdf Restricted to Repository staff only Download (53MB) | Request a copy |
|
Text
ALDALIA KIRANANTA S_ 2022_ BAB I.pdf Download (5MB) |
|
Text
ALDALIA KIRANANTA S_2022_BAB IV.pdf Download (832kB) |
|
Text
1. Surat Pengantar Jurnal Joged untuk Perpustakaan.pdf Download (62kB) |
|
Video
bRw1aqIKIJDL9MpS-2dIAEMKxseNt6YC1NJHnpHcNqrkkXq7jwDeUvFnb6M0VJ8BYew=w1200-h630-p Restricted to Repository staff only Download (34kB) | Request a copy |
|
Text
SCAN SURAT PERSETUJUAN ALDA.pdf Restricted to Repository staff only Download (161kB) | Request a copy |
Abstract
Mayang Urai is a video dance work inspired by the figure of Princess Mayang Urai. Mayang Urai is a mythical figure in Teluk Mayang Village, Central Kalimantan. Mayang Urai is a figure who is famous for his beauty, power, gentleness, and wisdom. Knowing the kindness, fair attitude, and magic of Mayang Urai, it has become the decision of the villagers to choose Mayang Urai to become Damang who has the ability to heal the sick. This video dance work was created in the form of a single choreography using a dramatic dance type that will bring out the character and atmosphere that matches the figure of Mayang Urai. The dramatic type is visualized through movements per part of the dance work that give the impression of the character of Mayang Urai. This Mayang Urai Video dance work uses the creation method of Alma Hawkins to create movements that originate from the basic motifs of kinyah Bawi dance movements, and Nasai Lemu Lambai. The development of these two movements is carried out by means of exploration, improvisation to find variants of the shape and sense of movement according to the dance theme, then composed into a Mayang Urai Video dance work, and evaluation is needed to sort out and improve the Mayang Urai Video dance work. The spirit and character of Mayang Urai are indirectly interpreted through the formation of the character of the stylist himself. As for the technique of taking one shot video by tracking shots and moving. Mayang Urai became the embodiment of the character of the figure of Princess Mayang Urai in the creation of this work danced by the arranger himself. The understanding of the figure of Putri Mayang Urai was processed and arranged which then resulted in new movements in the video dance work and supporting aspects of the work. The creation of this work had a positive impact on the stylist's morning in terms of developing a more creative literary integrity. Through this work, the arranger also gets to know more about the figure of Mayang Urai and can even introduce the figure of Princess Mayang Urai to readers. This work is 7 minutes 50 seconds long. Keywords: Mayang Urai, Kinyah Bawi, Nasai Lemu Lambai, single choreography
Item Type: | Thesis (Skripsi) | |||||||||
---|---|---|---|---|---|---|---|---|---|---|
Creators: |
|
|||||||||
Contributors: |
|
|||||||||
Department: | KODEPRODI91231#Seni Tari | |||||||||
Uncontrolled Keywords: | Mayang Urai, Kinyah Bawi, Nasai Lemu Lambai, Koreografi Tunggal | |||||||||
Subjects: | Tari > Penciptaan Tari | |||||||||
Divisions: | Fakultas Seni Pertunjukan > Jurusan Tari > Seni Tari (Penciptaan) | |||||||||
Depositing User: | ALDALIA KIRANANTA SYLFAYANGSARI | |||||||||
Date Deposited: | 23 Aug 2022 06:21 | |||||||||
Last Modified: | 23 Aug 2022 06:21 | |||||||||
URI: | http://digilib.isi.ac.id/id/eprint/12203 |
Actions (login required)
View Item |