Tepak Kendang Jaipong dalam Kesenian Campursari

Yulaeliah, Ela (2021) Tepak Kendang Jaipong dalam Kesenian Campursari. Panggung, 31 (2). pp. 93-112. ISSN 0854-3429

Other (Artikel Jurnal) 1544 Restricted to Registered users only Download (37kB) | Request a copy

Abstract

This paper aims to determine the causes of changes in the Jaipong kendang motifs and analyze its motifs in Campursari. This writing article uses the method of descriptive analysis. The entry use of the Jaipong kendang in Campursari led to various changes from its the original kendang. The conclusions results obtained awere there are changes in the multiple motifs of Jaipong kendang as a result of adjusting the Jaipong kendang to the Campursari performance. The Campursari players, who are predominantly Javanese and who have adhere traditional values that are embedded , cannot be separated when they play the Jaipong kendang. The sense of tradition of the artists in playing the Javanese kendang, of course, indirectly channeled in the Jaipong kendang. The result is that new motifs of Jaipong kendang are as the result of the artists’ creativity. Jaipong kendang motifs contained in Campursari, in general, are mincid motifs. It is found in almost every song accompanied by the Jaipong kendang. The other motifs are in the form of codes or accents made by artists as a unique feature in every Campursari song.

Actions (login required)

View Item