Hanggar Budi Prasetya, Penulis
(2012)
Pathêt: Ruang Bunyi dalam Karawitan Gaya
Yogyakarta.
Jurnal Seni & Budaya Panggung, 22 (1).
p. 67.
Abstract
This research aims to answer a question of why two Javanese gamelan pieces (gending) of different
pathêt (modes) cannot be performed consecutively without grambyangan lead. The data of this
research were obtained from in-depth interview and observation of karawitan (gamelan performances),
focusing on karawitan training process, wayang performances, and karawitan performances for
pleasure or uyon-uyon. Using phenomenology method, it can be concluded that pathêt is a space of
sound. Two gamelan pieces having different modes are similar to two gamelan pieces in different
spaces. There is a link between spaces that can be opened by the sound of gender or grambyangan.
As a space, karawitan has three spaces of sound, i.e. space of pathêt nem, space of pathêt sanga, and
space of pathêt manyura.
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