Prasetya, Hanggar Budi and Putra, Ign Krisna Nuryanta and Wahyu Widodo, Tri (2020) Opening melody for patet sound space on shadow puppet theatre. In: 21st century innovation in music education. CRC Press/Balkema, London, pp. 395-410. ISBN 978-0-367-11122-9
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Abstract
This study aims to understand the various types of melodies that play a role as opening patets (gamelan mode) in wayang (shadow-puppet theatre). The data for this study was obtained by observing the Kakrasana Wanengpinta shadow-puppet performance. Observations was focused on the parts that have changes in patet. Based on the research it can be concluded that there are two types of melodies used in the transition of patet changes, namely thinthingan and grambyangan, additionally, the vocals of the puppet master (dalang) who mimics thinthingan. Thinthingan and grambyangan are carried out by the gender, one of methallophone gamelan instruments. Thinthingan melodies are needed for light transitions, while grambyangan melodies are used for heavy transitions.
Item Type: | Book Section | ||||||||
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Creators: |
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Uncontrolled Keywords: | musik, karawitan, wayang, gamelan | ||||||||
Subjects: | Karawitan Teater > Pengkajian seni teater (dramaturgi) Etnomusikologi Pedalangan Penciptaan dan pengkajian seni Pendidikan Seni Pertunjukan |
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Divisions: | Fakultas Seni Pertunjukan > Jurusan Pedalangan | ||||||||
Depositing User: | agus tiawan AT | ||||||||
Date Deposited: | 27 Dec 2019 06:03 | ||||||||
Last Modified: | 15 Jan 2020 02:18 | ||||||||
URI: | http://digilib.isi.ac.id/id/eprint/5632 |
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